0 vote-0 Vote againstComments (0)
One of the most interesting parallel sections of the Festival of Sitges, often overshadowed by the official competition section and more colorful, it's Seven Chances, a section that brings together seven film directors - and no commercial release planned in Spain - selected as many critics. Among the titles scheduled this year shines particularly hard L'enfer d'Henri-Georges Clouzot, seen this afternoon at 20.15 hours in the Prado film.Romy Schneider zoom, an image of the film.
Romy Schneider, an image of the film. JOURNAL
This is an unusual documentary, directed by Serge Bromberg in tandem and Ruxandra Medrea, who tries to put the unfinished film images of the master Henri-Georges Clouzot (The Wages of Fear, The evil) while drawing their character, remember its importance in film history and outlines the way you work. In particular, it shows their relationship to the cinema during the difficult gestation of L'enfer (1964), a film that left just start shooting overwhelmed by a megalomaniac who beat him.
Hypnotic images
In 1994, Claude Chabrol directed from Hell scripted by Clouzot the film would never end. That film's argument follows that L'enfer going to be a psychological thriller about the ghost of jealousy.
We will never know for sure how it would have been that movie, but the fascinating and hypnotic images gathered in L'enfer d'Henri-Georges Clouzot, with a beautiful Romy Schneider as a target for the gaze of the filmmaker, makes sense that most likely would have been Clouzot's other masterpiece.
0 件のコメント:
コメントを投稿